musée d'art contemporain
de Bordeaux


02.02.2017 -> 04.02.2018

The Economy of Living Things

A Satellite programme 2017

A proposal by Osei Bonsu

Initiated by the Jeu de Paume, in collaboration with the Fondation Nationale des Arts Graphiques et Plastiques, the Satellite programme is co-produced since 2015 with the CAPC musée d'art contemporain de Bordeaux, and presented in Paris and Bordeaux. The Satellite programme is entrusted every year to a different curator. For the 2017 edition, entitled The Economy of Living Things, the Jeu de Paume and the CAPC musée invited Osei Bonsu, a a British-Ghanaian independent curator and writer based in London.
The exhibitions of the Satellite programme are accompanied by four publications, each year, call upon independent graphic designers.  
The exhibitions of L'économie du vivant are presented at the Jeu de Paume in Paris and at the Maison d'Art Bernard Anthonioz in Nogent-sur-Marne in 2017.


The Economy of Living Things

Presenting the work of four international artists “The Economy of Living Things” draws upon fields of visual art, archaeology, music and literature to reveal an alternative map of modern migrations. The exhibition cycle is concerned with the constant flow of bodies and the movements of plants, animals, artefact and other cultural products found in everyday life. Composed as a series of four solo exhibitions, it takes as its point of departure the recording of lived experience and the state of human progress in the twenty-first century. It is through the lens of the present that artists frame their own subjectivity while considering the deepening relationships between memory and fiction, communities and civilisations, the dead and the living.

“The Economy of Living Things” concerns the value of undocumented peoples, the flights of birds pushed by high winds, the pathways of dreams and the songs and stories of freedom. In a broadening geo-political landscape, we can observe the routes of traffic forcing the movements of people, goods and processes into phases of conflict and agitation. In this existing world of hegemonic borders and empires drawn by war, we can understand the need for places of worship and spaces of encounter in our common reality. To admit history is a fragile space is to listen to the little known personal stories that tear through imposed narratives. From here we begin an archaeology of time that renders visible things unseen; an alternative territory; a transnational imagination.

In a series of newly commissioned works, lens-based media is used to re-enliven events of histories rooted in personal, political and collective experience. Together the artists share an interest in the living histories of the communities and cultures to which they belong, capturing those intangible and immaterial expressions of life and livelihood. Beyond defining comprehensive narrative structures, spaces are often left open only to be filled by the emptiness of words, gestures and encounters. Entering these worlds we often find that we are awoken to the clamour of our own reality, the lives of unknown others, erasures and displacements, the pains of exile and the loss of traditions.

While being rooted in the medium of film, “The Economy of Living Things” will take on an interdisciplinary program inviting performative and site-specific encounters with the moving image. By accommodating the complexity of contemporary practice, the framework will be an essential entry point to a breadth of interests from ethnomusicology and archaeological systems to colonial discourses and utopian conceptions of racial progress. Opening with Ali Cherri and closing with Jumana Manna, Satellites 10 will is oriented towards the tradition and preservation of histories as containers of living memory. Such encounters will open the space for the elaboration of temporality by Steffani Jemison and Oscar Murillo whose formal practices emphasize the poetics of physical gestures informed by wider socio-economic conditions such as industrial factories, urban high-streets and public parks. Moving beyond the notion of physically mapping history, “The Economy of Living Things” moves toward a consideration of the political body’s movement through material, local, and symbolic time and the impossibility of controlling living things.

Osei Bonsu


Satellite Programme 2017

• Ali Cherri
du 2 février au 30 avril 2017

• Osar Murillo
du 18 mai au 27 août 2017

• Steffani Jemison
du 7 septembre au 12 novembre 2017

• Jumana Manna
du 23 novembre 2017 au 4 février 2018


Osei Bonsu is a British-Ghanaian independent curator and writer based in London.
His writing has been included in a number of museum and exhibition catalogues including the 56th Venice Biennial Exhibition and Milan EXPO « Arts and Food » at La Triennale di Milano. He is the founding director of CRANE, and has developed a number of projects focused on international art, including «Pangea II: New Art from Africa and Latin America» (Saatchi Gallery, 2015) and 1-54 Art Fair  (2013 - 14). He advises private and not-for-profit arts organizations and contributes to publications such as New African, NKA: Journal of Contemporary African Art, Mousse Magazine, and Art Review among others.

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The Satellite programme is co-produced by Jeu de Paume, the Fondation Nationale des Arts Graphiques et Plastiques and the CAPC musée d'art contemporain de Bordeaux

Tje Friends of the CAPC contribute to the production of the artworks in this programme


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